Haiku, a Japanese style of poetry that enlightens and opens readers and writers to new perspectives, is world-renowned for both its simplicity and complexity. As an art form, it has rapidly evolved from structured Japanese short-verse to an international phenomena that has hybridised via the infusion of many languages and literary techniques. Haiku has been adopted by many well-known modern poets, including Taneda Santoka, Masaoka Shiki, Jack Kerouac, Marlene Mountain, and more.
Since 2011, IAFOR has welcomed haiku experts Emiko Miyashita and Kyoko Uchimura to conduct Haiku Workshops at IAFOR Arts, Humanities, and Culture conferences in Japan. A long-running highlight of the ACAH/ACCS/ACSS programme, the Haiku Workshop is an open invitation to get involved and get creative during the conference.
Meeting Location: Tokyo International Forum
Ticket Price: Free to attend
**This workshop is a free event open to registered IAFOR conference delegates**
Write Your Own Haiku with Expert Guidance
Delegates are invited to draft their own haiku under the guidance of Miyashita-sensei and Uchimura-sensei during the workshop. The workshop will include experimentation with revision and exhibition of produced work. Those who wish to present can read their haiku aloud and receive guidance from the instructors, as well as informal feedback from fellow delegates. This workshop is open to delegates from all levels of acquaintance with haiku, and offers a rare chance to slow down, write with intention, and connect with others through creative practice during the conference.
Emiko Miyashita

Kyoko Uchimura

Ms Uchimura began writing haiku in 2002, receiving the New Talent Award of the haiku group Ten’I, led by Dr Akito Arima, in 2008. She recently won first prize in the group’s essay contest in 2023. In 2013, she published her first haiku collection, titled Venus. She is currently a member of the Association of Haiku Poets in Japan.
Since 2014, Ms Uchimura has worked in an editorial role for Ten’I and the Haiku International Association since 2018, where she serves as a councilor and is responsible for editing the association’s quarterly haiku magazine, HI. She often writes short reviews for other haiku magazines. She has supported the administrative office of the Haiku UNESCO Promotion Council since 2018.


