Programme

Keynote, Featured and Spotlight Speakers will provide a variety of perspectives from different academic and professional backgrounds. This page provides details of presentations and other programming. For more information about presenters, please visit the Speakers page.


  • British Romanticism in China: Received, Revised, and Resurrected
    British Romanticism in China: Received, Revised, and Resurrected
    Keynote Presentation: Professor Li Ou
  • IAFOR Silk Road Initiative Information Session
    IAFOR Silk Road Initiative Information Session
  • IAFOR Documentary Photography Award 2017 | Award Winners Screening
    IAFOR Documentary Photography Award 2017 | Award Winners Screening

Additional programming for ACAH2018 will be added in the coming weeks and months.


Previous Programming

View details of programming for past ACAH conferences via the links below.

British Romanticism in China: Received, Revised, and Resurrected
Keynote Presentation: Professor Li Ou

The reception history of British Romanticism in twentieth-century China unfolds a drama of vicissitude, corresponding to the tumultuous course of the Chinese national history and violently shifting literary politics. While all foreign literature, texts or trends, are reconfigured by its interaction with the national tradition, the afterlife of British Romanticism in China is distinguished by the radically divided and polarised responses it had received in the past century. This paper considers British Romanticism from several of its key aspects, namely, radicalism, self-expressiveness, and naturalism, and examines how each of them had been treated with drastically contradictory stances in China along with the conflicting ideologies taking turns dominating the Chinese centre stage. It also discusses the significance of the intermediary of Japanese, German, and Soviet sources in the Chinese reception of British Romanticism, and being twice removed from the original might have contributed to the predominant emphasis on what is without instead of what is within British Romantic poetry. Despite the consistently instrumentalist approach China had taken to British Romanticism, the paper concludes with the profound, though implicit, legacy British Romanticism had left in China. Almost all the leading modern Chinese poets who had participated in the formation of Chinese new (vernacular) poetry had been inspired in one way or another by their British fellow poets, who thereby inscribed their names on the Chinese poetic tradition. The remarkable tenacity of British Romanticism in surviving the trying circumstances in China derived, after all, from its power of poetry.

Image | Lord Byron by Richard Westall (1813)

Read presenter biographies.

IAFOR Silk Road Initiative Information Session

As an organization, IAFOR’s mission is to promote international exchange, facilitate intercultural awareness, encourage interdisciplinary discussion, and generate and share new knowledge. In 2018, we are excited to launch a major new and ambitious international, intercultural and interdisciplinary research initiative which uses the silk road trade routes as a lens through which to study some of the world’s largest historical and contemporary geopolitical trends, shifts and exchanges.

IAFOR is headquartered in Japan, and the 2018 inauguration of this project aligns with the 150th Anniversary of the Meiji Restoration of 1868, when Japan opened its doors to the trade and ideas that would precipitate its rapid modernisation and its emergence as a global power. At a time when global trends can seem unpredictable, and futures fearful, the IAFOR Silk Road Initiative gives the opportunity to revisit the question of the impact of international relations from a long-term perspective.

This ambitious initiative will encourage individuals and institutions working across the world to support and undertake research centring on the contact between countries and regions in Europe and Asia – from Gibraltar to Japan – and the maritime routes that went beyond, into the South-East Continent and the Philippines, and later out into the Pacific Islands and the United States. The IAFOR Silk Road Initiative will be concerned with all aspects of this contact, and will examine both material and intellectual traces, as well as consequences.

For more information about the IAFOR Silk Road Initiative, click here.

IAFOR Documentary Photography Award 2017 | Award Winners Screening

The IAFOR Documentary Photography Award was launched by The International Academic Forum (IAFOR) in 2015 as an international photography award that seeks to promote and assist in the professional development of emerging documentary photographers and photojournalists. The award has benefitted since the outset from the expertise of an outstanding panel of internationally renowned photographers, including Dr Paul Lowe as the Founding Judge, and Ed Kashi, Monica Allende, Simon Roberts, Jocelyn Bain Hogg, Simon Norfolk and Emma Bowkett as Guest Judges. Now in its third year, the award has already been widely recognised by those in the industry and has been supported by World Press Photo, Metro Imaging, MediaStorm, Think Tank Photo, University of the Arts London, RMIT University, British Journal of Photography, The Centre for Documentary Practice, and the Medill School of Journalism.

As an organisation, IAFOR’s mission is to promote international exchange, facilitate intercultural awareness, encourage interdisciplinary discussion, and generate and share new knowledge. In keeping with this mission, in appreciation of the great value of photography as a medium that can be shared across borders of language, culture and nation, and to influence and inform our academic work and programmes, the IAFOR Documentary Photography Award was launched as a competition that would help underline the importance of the organisation’s aims, and would promote and recognise best practice and excellence.

Winners of the IAFOR Documentary Photography Award 2017 were announced at The European Conference on Media, Communication & Film 2017 (EuroMedia2017) in Brighton, UK. The award follows the theme of the EuroMedia conference, with 2017’s theme being “History, Story, Narrative”. In support of up-and-coming talent, the IAFOR Documentary Photography Award is free to enter.

Access to the Award Winners Screening is included in the conference registration fee. For more information about the award, click here.

Image | From the project Single Mothers of Afghanistan by IAFOR Documentary Photography Award 2017 Grand Prize Winner, Kiana Hayeri.